biography.
The Argentine artist Kren Organico (Juan Ciovini) is a multi-instrumentalist, music producer, and teacher, born in Río Grande, Tierra del Fuego.
With a life dedicated to music, he performs solo concerts with his Live Looping Organic Set, where he combines acoustic and electronic instruments in spontaneous live compositions.
music for feeling and sharing.
Interested in the therapeutic aspect of sound, he uses the vibrations and tones of ancestral instruments from different cultures to lead Sound Journeys as a form of relaxation, meditation, and healing therapy.
In this same format, he also shares movement gatherings like Ecstatic Dance and Cacao Dance, where he creates a safe sound environment for free and therapeutic dance expression through his music.
He accompanies yoga classes, retreats, and ceremonies of all kinds with music. Kren is also a percussion and handpan teacher, sharing his knowledge through various workshops and retreats.
Between 2022 and 2026, Kren has performed on various stages of the world’s leading music scene:
Festival de Creatividad Digital MUTEK AR (Argentina)
Amanita Festival 2024 y 2025 (Argentina)
Trancendence Festival (Mexico)
Sonidos del Lago (Mexico)
Icaros Festival (Portugal)
Zoma Festival (Mexico)
Embodiment Festival (Guatemala)
HeartSong Festival (Guatemala)
Mundo Sol Festival (Brasil)
Portal Bosque (Uruguay)
Conciencia Festival 2024 y 2025 (Argentina)
Resonar Festival (Argentina)
Iemanja Festival (Uruguay)
Cupula del CCK (Argentina)
Feria de Arte Contemporáneo MAPA (Argentina)
Festival Emergente de la Ciudad (Argentina)
Feria Arte BA (Argentina)
ELECTRO-ORGANIC LIVE LOOPING SET
The Electro-Organic Live Looping Set is a sound journey created in real-time by blending electronic and ancestral acoustic instruments, quickly immersing us in a sound environment reminiscent of nature and the jungle, a safe, stable space for spontaneous and therapeutic free dance.
The Live Looping language allows Kren to create compositions by live recording instruments like the handpan, Native American flutes, didgeridoo, and percussion, along with synthesizers, electronic percussion, and field recordings from his travels, establishing a parallel dialogue between analog and digital style he calls “Electro-Organic”.